作曲者 | Jacqueline Avila |
タイトル | Cinesonidos |
サブタイトル | Film Music and National Identity During Mexico's Epoca de Oro |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Music/Media Series |
品番 | 9780190671310 |
形状 | 288 ページ・23.5 x 15.6 cm・502 g・ソフトカバー |
出版番号 | 9780190671310 |
ISBN | 9780190671310 |
Author Jacqueline Avila looks at the ways that Mexican cinema and its music during the silent and early sound periods continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
Acknowledgements, Introduction, Chapter One: The Prostitute and the Cinematic Cabaret: Musicalizing the Fallen Woman and Mexico City's Nightlife, Chapter Two: The Salon, the Stage, and Porfirian Nostalgia, Chapter Three: The Sounds of Indigenismo: Cultural Integration and Musical Exoticism in Janitzio (1934) and Maria Candelaria (1943), Chapter Four: The Singing Charro in the Comedia Ranchera: Music, Machismo, and the Invention of a Tradition, Chapter Five: The Strains of the Revolution: Musicalizing the Soldadera in the Revolutionary Melodrama, Epilogue, Bibliography