作曲者 | Frederick Lau |
タイトル | Music in China |
サブタイトル | Experiencing Music, Expressing Culture |
出版社 | Oxford University Press (USA) |
シリーズ名 | Global Music Series |
楽器編成 | Book |
品番 | 9780195301243 |
形状 | 208 ページ・21 x 14 cm・252 g・ソフトカバー |
出版番号 | 9780195301243 |
ISBN | 9780195301243 |
Music in China offers a unique exploration of the rich, dynamic, and multifaceted Chinese musical landscape. In contrast with previous scholarship-which focused almost exclusively on the role of music in elite culture-this volume takes a balanced look at a variety of traditional and modern genres, including those performed among local and regional folk musicians, in academia, in the media, and on concert stages both inside and outside of China. Author Frederick Lau draws on his own extensive fieldwork and performance experience in both mainland China and its diasporic communities to show how the ever-changing Chinese musical tradition takes on particular meanings in China, in overseas Chinese communities, and in diverse international settings.
Foreword: , Preface: , CD Track List: , Notes on Romanization, Spelling, Chinese Names, Notation: , 1. Music of the People, First Encounter: Teahouse Music in the Jiangnan Area, Chordophone: , Aerophone: , Second Encounter: Xianshi in Chaozhou Region, Amateur Music-Making in the People's Republic of China, Music Regionalism and the Meaning of Regional Music, 2. Constructing National Music, Defining National Music Guoyue, Institutions and National Music Conservatory, The Chinese Orchestra, The Hong Kong Chinese Orchestra, Solo Repertory in the Making, Solo Repertory for Dizi, Solo Repertory for Erhu, Blind Musician Abing (1893-1950): , Solo Repertory for Pipa, Solo Repertory for Guzheng, 3. Regional Musics with the National Soundscape, The Canton Guangdong region, Instrumental Music: Guangdong yinyue, Opera: Yueju, Beijing Opera, Fujian: Narrative Nanguan Vocal and Instrumental Genre, The Jiangnan Area Ensemble Music: Jiangnan Sizhu, Regional Variants of a Widespread Ensemble Music: Luogu and Chuida, 4. Musical Interfaces between East and West, A Glimpse at Chinese Music in Europe and America, Western Music in China, Piano in China, New Voices in Chinese Music, Chou Wen-Chung: , New Wave Composers: , Popular Music, Hong Kong Cantopop, Minority Pop in the Mainstream, 5. Music and Ideology, Confucianism and Music Through Time, The Seven-stringed Zither: Guqin, Amateur Music Clubs, Dongjing Music of the Naxi People, Music and Ideology in the People's Republic of China, Revolutionary Songs for the Masses, Model Opera: Yangbanxi, Conclusion, 6. Chinese Music Beyond China, Expressing Chineseness Musically, Traditional Music in the Diaspora, Cantonese Music Clubs in the New World, Expressing Chaozhouness in Bangkok, Thailand, Chinese Music Singaporean Style, Circulation of Popular Music of Various Sorts, Jon Jang, the Chinese Jazzman, Mandarin Song Singing Clubs, Chinese Chorus and Singing/Karaoke beyond Asia, Something New, Something Old: Chinese Music at a Crossroad, Conclusion, Glossary: , References: , Resources: , Index: