作曲者 | Fazil Say (b. 1970) |
タイトル | Paganini Jazz op. 5c [piano] |
サブタイトル | Variations on the Caprice No. 24 in the style of modern jazz |
出版社 | Schott(ショット) |
シリーズ名 | The Virtuoso Piano Transcription Series. Vol. 11 |
楽器編成 | piano |
品番 | 9790001146531 |
難易度 | 上級 |
形状 | 20 ページ・中綴じ |
演奏時間 | 4分 |
作曲年 | 1995年 |
出版年 | 2007年 |
出版番号 | ED 20135 |
ISMN | 9790001146531 |
ISBN | 9783795796273 |
The concert piece Paganini Jazz by Faz?l Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988), following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements.Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.