Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works, 15 song cycles were published until 1933.In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London.Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition:Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).

Jewish Songs (um 1936): L. Strauß: Messiaslied - L. Strauß: Ein Lied an die Schechina - L. Strauß: Mittenwegs steht ein Baum - L. Strauß: Zum Sabbatausgang - Heine Songs (1937): Der Tod, das ist die kühle Nacht - Wie des Mondes Abbild zittert - Ein schöner Stern geht auf in meiner Nacht - Mir träumte einst von wildem Liebesglühn - Salomo - Werdet nur nicht ungeduldig - Sie saßen und tranken am Teetisch - English Songs (1941-1946): W.H. Davies: Sweet Chance, that led my steps abroad - W.S. Landor: Roses and Thorns - W.B. Yeats: The Cloths of Heaven - W. de la Mare: An Epitaph