![Symphony No. 4 in A minor Op. 63 [スコア]](http://gaudeamusic.com/cdn/shop/products/9790004216316_{width}x.jpg?v=1615315769)
![Symphony No. 4 in A minor Op. 63 [スコア]](http://gaudeamusic.com/cdn/shop/products/9790004216316_1024x.jpg?v=1615315769)
| 作曲者 | Jean Sibelius (1865-1957)・ジャン・シベリウス |
| タイトル | Symphony No. 4 in A minor Op. 63 [スコア] |
| 出版社 | Breitkopf & Härtel・ブライトコプフ |
| 楽器編成 | Orchestra |
| 楽器編成（詳細） | 2.2.2.2. – 4.2.3.0. – timp.perc – str |
| 品番 | 9790004216316 |
| 校訂者 | Tuija Wicklund |
| 形状 | 96 ページ・25 x 32 cm |
| 演奏時間 | 40分 |
| 出版番号 | PB 5694 |
| その他 | Urtext based on the Complete Edition |
| サンプル | https://www.breitkopf.com/assets/haendler/samples/9790004216316.pdf |
In the fall of 1909 Sibelius wrote in his diary:“At Koli! One of the greatest impressions in my life. Plans [for] ‘La Montagne’!” These plans proved to be for the Fourth Symphony. The composition process was not an easy one and in the end – according to his diary – Sibelius was“struggling with God!” and only just able to finish the work in time for the premiere in spring 1911:“My new symphony is a total protest against present-day compositions. Nothing – absolutely nothing of the circus [in it].” This extraordinary work was at first found difficult to understand although its technical brilliance was recognized. The appreciation of the Fourth has, however, grown in the course of years.