| 作曲者 | Wolfgang Amadeus Mozart (1756-1791)・ヴォルフガング・アマデウス・モーツァルト |
| タイトル | Misericordias Domini K. 222 (205a) （ヴォーカル・スコア） |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Solos, Mixed Choir, Orchestra |
| 楽器編成（詳細） | Mixed choir-SATB/Str/Bc |
| 品番 | 9790006456697 |
| 校訂者 | Hellmut Federhofer |
| 編曲者 | Andreas Köhs |
| 難易度 | 中級 |
| 言語 | ラテン語 |
| 形状 | 16 ページ・27.0 x 19.0 cm・78 g・Stapled |
| 演奏時間 | 7分 |
| 出版年 | 2019年第6刷 |
| 出版番号 | BA 4789-90 |
| ISMN | 979-0006456697 |
Mozart's "Misercordias Domini" K. 222 (205a)" was commissioned by the electorate Prince of Bavaria, as is evident from a letter of the composer to P. Martini. It was probably composed during the first two months of the year 1775 in Munich. This small-scale sacred work was premiered on 5 March of the same year.
Closely basing his masterpiece on the meticulously crafted works of his admired Salzburg colleagues, and using a motif from Johann Ernst Eberlein's "Benedixisti Domine", Mozart merges polyphony and the expressive power of enthralling harmonic progressions in this work of effective contrasts.
As the copy Mozart sent to P. Martini in Bologna cannot be traced, the authenticity of the viola part cannot be guaranteed.