| 作曲者 | Wolfgang Amadeus Mozart (1756-1791)・ヴォルフガング・アマデウス・モーツァルト |
| タイトル | Regina coeli B-flat major K. 127 （ヴォーカル・スコア） |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Solos, Mixed Choir, Orchestra |
| 楽器編成（詳細） | SSolo/Mixed choir-SATB/Fl1/Fl2/Ob1/Ob2/Hn1/Hn2/Str/Org |
| 品番 | 9790006459162 |
| 校訂者 | Hellmut Federhofer |
| 編曲者 | Andreas Köhs |
| 難易度 | 中級 |
| 形状 | 28 ページ・27.0 x 19.0 cm・111 g・Stapled |
| 演奏時間 | 16分 |
| 出版年 | 2019年第3刷 |
| 出版番号 | BA 4887-90 |
| ISMN | 979-0006459162 |
The young Mozart composed three settings of the "Regina Coeli", an ancient Latin Marian hymn of the Catholic church.
The "Regina coeli" K.127, composed in Salzburg in May 1772, is very similar in expression and formal structure to the first "Regina coeli" K.108 (74d) on the same Marian antiphon. But compared with the first work, K.127 discloses a greater contrapuntal refinement despite its large orchestral forces, from which, however, the trumpets and kettledrums were omitted. The copies of choral works by Michael Haydn and Ernst Erberlin which Mozart made in the spring of 1773 underscore Mozart's unflagging interest in contrapuntal techniques.