| 作曲者 | Wilhelm Middelschulte |
| タイトル | Original Compositions, vol. 2 |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | Wilhelm Middelschulte. Complete Organ Works II,Bärenreiter Urtext |
| 楽器編成 | Organ |
| 楽器編成（詳細） | Org |
| 品番 | 9790006528325 |
| 校訂者 | Hans-Dieter Meyer, Jürgen Sonnentheil |
| 形状 | XXII, 105/5 ページ・30.0 x 23.0 cm・478 g・ソフトカバー |
| 出版年 | 2008年第1刷 |
| 出版番号 | BA 8492 |
| ISMN | 979-0006528325 |
Wilhelm Middelschulte (1863–1943) studied church music in Berlin. From 1891 onwards he worked as director of the organ department at the American Conservatory in Chicago and the Wisconsin Conservatory in Milwaukee.
As a virtuoso organist he had a formative impact on American organ music: even Ferruccio Busoni called him a 'master of counterpoint' and the greatest contrapuntal composer since J. S. Bach.
The Concerto for Organ is a masterpiece of contrapuntal inversion. The thematic material of all five movements is taken from the theme of the great Organ Fugue in E minor BWV 584/2 by Johann Sebastian Bach. The " Canonic Fantasy" is in the form of a passacaglia, whose theme and contrapuntal inversions are taken from the BACH motif. The virtuoso " Perpetuum mobile" for pedal solo is one of the works which Middelschulte performed most frequently.
- First Urtext edition of Middelschulte's complete organ works
- Each volume contains a detailed foreword and Critical Commentary (Ger/Eng)