| 作曲者 | George Frideric Handel (1685-1759)・ジョージ・フリデリック・ヘンデル |
| タイトル | O praise the Lord with one consent HWV 254 （ヴォーカル・スコア） |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Solos, Mixed Choir, Orchestra |
| 楽器編成（詳細） | SSolo/TSolo/TSolo/BSolo/Mixed choir-SATB/Ob/Str/Org |
| 品番 | 9790006532452 |
| 校訂者 | Gerald Hendrie |
| 編曲者 | Andreas Köhs |
| 難易度 | 中級 |
| 言語 | ドイツ語、英語 |
| 形状 | VII, 58 ページ・27.0 x 19.0 cm・170 g・Stapled |
| 出版年 | 2006年第1刷 |
| 出版番号 | BA 4291-90 |
| ISMN | 979-0006532452 |
Handel's three anthems (My song shall be alway HWV 252, O come let us sing HWV 253, O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons, a country estate near to London. They take their nickname, the " Chandos Anthems", from the owner of the estate, the First Duke of Chandos.
The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer, who reused particularly successful pieces as starting points for his later works. The scoring for solo voices, chorus, oboe, strings, and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for "O come let us sing unto the Lord".
The anthems present the Urtext from the "Halle Handel Edition" and include uncomplicated and easy-to-play piano reductions. In addition to the original English words, the full scores and vocal scores also include a singing translation in German.