| 作曲者 | Christoph Willibald Gluck (1714-1787)・グルック |
| タイトル | Orphée et Euridice (Vienna version 1762) （ヴォーカル・スコア） |
| サブタイトル | Opera in 3 acts |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Solos, Mixed Choir, Orchestra |
| 楽器編成（詳細） | 2SSolo/ASolo/Mixed choir-SATB/ballet/2Fl/2Cha/2Ob/2EnglHn/2bassoon/2Kor/2Hn/2Trp/3trombone/timpani/harp/2V/harpisc./Vc/double bass |
| 品番 | 9790006558735 |
| 校訂者 | Anna Amalie Abert, Ludwig Finscher |
| 編曲者 | Heinz Moehn |
| 難易度 | 中級 |
| 言語 | イタリア語、ドイツ語 |
| 形状 | XVI, 164 ページ・27.0 x 19.0 cm・504 g・ソフトカバー |
| 演奏時間 | 125分 |
| 作曲年 | 1762年 |
| 出版年 | 2017年第17刷 |
| 出版番号 | BA 5845-90 |
| ISMN | 979-0006558735 |
| その他 | Vienna version |
The premiere of the Azione teatrale "Orfeo ed Euridice" took place in Vienna in 1762 and plays a significant role in the history of the music theatre.
With this work, the composer for the first time rejected the rigid conventions of the Italian opera seria and made an important first contribution towards the renewal of opera genre.
In collaboration with his librettist Calzabigi, Gluck reduced the plot to its essentials and freed it from the typical political and romantic intrigues which prevailed at that time. The choir takes on a larger role and the ballet is integrated into the plot. Solo and choral parts, instrumental music as well as pantomime and dance are closely connected. The style of singing has a natural simplicity and coloratura is largely abandoned. This stands in stark contrast to the vocal acrobatics of opera seria.
· Urtext edition based on the "Gluck Complete Works"
· Revised and newly set
· Italian libretto with singable German translation
· Comprehensive foreword (Ger/Eng/Ital) on the genesis of the work and its reception as well as on the plot
· Clear, idiomatic piano reduction