| 作曲者 | Karl Jenkins (b. 1944)・ジェンキンス |
| タイトル | Adiemus II - Cantata Mundi |
| サブタイトル | Cantata Mundi |
| 出版社 | Boosey & Hawkes（ブージー＆ホークス） |
| 楽器編成 | female choir (SSA) and orchestra |
| 楽器編成（詳細） | 2(II=picc).2(II=corA).2.2-6.3.4.1-timp.perc(9):claves/cowbell/guiro/ 2cabaca/tgl/chenchen/egyptian tabla/doholla/tom-t/cyms/chekere/xyl/ glsp/bass marimba/bongos/rek/udu pot/tablas/sticks/pandeiro/timbales/ surdo/BD/tam-t/susp.cym/tamb-solo recorder-strings |
| 品番 | 9790060108884 |
| 言語 | vocalise |
| 形状 | 176 ページ・Ring/Spiral binding |
| 演奏時間 | 65分 |
| 作曲年 | 1996年 |
| 出版番号 | BH 6401220 |
| ISMN | 979-0060108884 |
Cantata mundi is a development of ideas first heard in Songs of Sanctuary, where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European classical technique to present a unified work.Vocally, the spread of influence is wider than in Songs of Sanctuary, with Eastern European and Arabic sounds added to the African, Celtic and ecclesiastical blend. Once again, the text is written phonetically with the words viewed as instrumental sound. In Cantata mundi, the sound is more symphonic, with woodwind and brass added to the strings, percussion and recorder. The seven main Cantus movements incorporate ethnic percussion, and are interspersed with shorter chorales.
Cantus Song of Tears - Chorale I Za ma ba - Cantus Song of the Spirit - Chorale II Roosh Ka ma - Cantus Song of the Trinity -Chorale III Vokalise - Cantus Song of teh Odyssey - Chorale IV Alame oo ya - Cantus Song of the Plains - Chorale V Arama Ivi - Cantus Song of Invocation - Chorale VI Sol-Fa - Choral A ma ka ma