Ear Training for Trombone is one of the first methods to integrate performance on the instrument with singing to enable the player to internalize the music. Written by David Vining, a leading brass educator with extensive orchestral, chamber, and solo performance experience, Ear Training for Trombone is a comprehensive and progressively organized method for improving the ear of students on any brass instrument. In turn, this brings marked improvement in tone, intonation, pitch accuracy, and musical understanding. The book contains more than 70 exercises in pitch, scales, arpeggios, and intervals, including melodious etudes and orchestral excerpts. A brass equivalent of the ear training method is long overdue, and this book is appropriate for not only young students, but brass students of all ages.

Foreword by John Marcellus
Introduction
About David Vining
I. Preliminary Studies
1. Basic Pitch Matching (1)
2. Basic Pitch Matching (2)
3. Basic Pitch Matching with No Rest Before Singing
4. Basic Pitch Matching: Scale-wise
5. Two Familiar Songs
6. Ode to Joy from Symphony No. 9
II. Intermediate Studies
7. Scale-wise C Major
8. Scale-wise Major/Minor
9. Scale-wise Ab Major
10. Amazing Grace
11. Scale-wise Ab Major
12. Scale-wise C Major and A Minor
13. Scale-wise Eb Major: Singing Every Other Note
14. Scale-wise A Major
15. Danny Boy
16. Scale-wise Major/Minor: Singing Every Other Note
17. Scales and Arpeggios
18. E-Minor Chant
19. D-Dorian Chant
20. O Come, O Come Emmanuel
III. Advanced Studies
21. Eb Major Arpeggio
22. Major/Minor Scales
23. Sonata in F (Movement I)
25. Scales/Arpeggios/Thirds: D Major/B Minor
26. Etude in F Major
27. Natural Slurs
28. 'Tis the Gift to be Simple
29. Circle of Fourths
30. Interval Study
31. F Major Intervals
32. Diminished Triads
33. Octatonic Scale
34. Whole Tone Scale
IV. Intervals
35. Scale-wise Widening Intervals
36. Chromatic Widening Intervals
37. Chromatic Intervals
38. Thirds (1)
39. Thirds (2)
40. Fourths
41. Fifths
42. Ascending Sixths
43. Descending Sixths
44. Ascending Sevenths
45. Descending Sevenths
46. Tritones
47. Wide Intervals
48. Random Intervals
V. Arpeggios
49. Major Arpeggios (1)
50. Major Arpeggios (2)
51. Minor Arpeggios
52. Major and Minor Arpeggios (1)
53. Major and Minor Arpeggios (2)
54. I-IV-V7
55. I-IV-ii-V7
56. I-IV-V Inverted
57. ii-V-I Jazz Style
58. Diminished Arpeggios
59. Augmented Argpeggios
60. Dominant-Seventh Arpeggios
61. Seventh Arpeggios
62. Mixed Arpeggios
VI. Melodious Etudes: Bordogni
63. No. 2
64. No. 5
65. No. 6
66. No. 12
67. No. 15
VII. Orchestral Excerpts
68. "Tuba Mirum" from Requiem, K. 626
69. "Adagio" from Symphony No. 3 (Organ)
70. "Hungarian March" from Le Damnation de Faust, Op. 24
71. Bolero