A timpani concerto written by a master timpanist is a rarity, indeed, and Kraft's Concerto No. 1 has become the go-to solo for timpanists who get to step out front. William Kraft was principal timpanist of the LA Philharmonic for 18 of his 26 years with the orchestra, assistant conductor for 3 of those years, and after his retirement served as its composer-in-residence for four seasons. During this latter period, he composed Concerto No. 1 for soloist Thomas Akins and the Indianapolis Symphony. With its 5 timpani set, the use of a variety of beaters and gloves expands the soloist's palette. The second movement is dedicated to Kraft's mother, who died during its composition; it is subtitled "Poem for Timpani, Two String Orchestras, Celeste, and Percussion," and the strings are divided antiphonally. We are pleased to make this piano reduction available.

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On the back cover:

"Concerto No. 1 for Timpani and Orchestra
William Kraft was principal timpanist of the LA Philharmonic for 18 of his 26 years with the orchestra, assistant conductor for 3 of those years, and after his retirement served as its composer-in-residence for four seasons. During this latter period, Kraft’s first timpani concerto was composed for soloist Thomas Akins and the Indianapolis Symphony. The concerto uses 5 timpani with a wide array of beaters, and the use of gloves with differing materials expands the soloist’s palette. The second movement is dedicated to Kraft’s mother, who died during its composition; it is subtitled “Poem for Timpani, Two String Orchestras, Celeste, and Percussion,” and the strings are divided antiphonally."

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See also the list and descriptions of "More Music for Timpani by WILLIAM KRAFT" on the back cover.

 

I. Allegretto
II. Poem For Timpani, Two String Orchestras, Celesta and Percussion, In Memory of My Mother
III. Fleeting