| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Himmelskönig, sei willkommen, BWV 182 (A major) [bassoon/double bass] |
| サブタイトル | Cantata for Palm Sunday or for the feast of the Annunciation |
| 出版社 | Carus・カールス |
| 楽器編成（詳細） | Soli ATB,Coro SATB,Recorder f1,2 Violins,2 Violas,Cello,Basso continuo |
| 品番 | M007050320 |
| 校訂者 | Reinhold Kubik |
| 編曲者 | Paul Horn |
| 難易度 | 中級 |
| 言語 | ドイツ語・英語 |
| 形状 | 16 ページ・23 x 32 cm・59 g・表紙カバー無し |
| 演奏時間 | 30分 |
| 作曲年 | 1714年 |
| 出版年 | 2010年 |
| 出版番号 | CV 31.182/15 |
| ISMN | 979-0-007-05032-0 |
Version in A major (version in G major: Carus 31.182/50) The cantata "Himmelskönig, sei willkommen" BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708, on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was "Himmelskönig, sei willkommen." The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder.