| 作曲者 | Gottfried August Homilius (1714-1785)・ゴットフリート・アウグスト・ホミリウス |
| タイトル | Ein Lämmlein geht und trägt die Schuld, HoWV I.2（ヴォーカル・スコア） |
| 出版社 | Carus・カールス |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Fl,2 Ob,2 Fg,2 Violins,Viola,Basso continuo |
| 品番 | M007087234 |
| 校訂者 | Uwe Wolf |
| 難易度 | 中級 |
| 言語 | ドイツ語 |
| 形状 | 104 ページ・19 x 27 cm・298 g・ソフトカバー |
| 演奏時間 | 95分 |
| 出版年 | 2006年 |
| 出版番号 | CV 37.104/03 |
| ISMN | 979-0-007-08723-4 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3710403/3710403x.pdf |
"He was without argument our greatest church composer, " wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's "Tod Jesu"). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be "rediscovered."