作曲者 | César Franck (1822-1890)・セザール・フランク |
タイトル | Les Béatitudes (Die Seligpreisungen), FWV 53(ヴォーカル・スコア) |
サブタイトル | Oratorio |
出版社 | Carus |
楽器編成 | 混声合唱 |
楽器編成(詳細) | Soli SMsATBarBB,Coro SATB (teilweise geteilt),2 Fl (auch 1 Picc),2 Ob,2 Clt,2 Fg,4 Cor,4 Tr,3 Trb,Tuba,Timp,Becken,2 (1) Harp,2 Violins,Viola,Contrabass,Organ |
品番 | M007089641 |
難易度 | 中上級 |
言語 | ドイツ語・フランス語 |
形状 | 328 ページ・19 x 27 cm・891 g・ソフトカバー |
演奏時間 | 130分 |
作曲年 | 1879年 |
出版年 | 2002年 |
出版番号 | CV 10.380/03 |
ISMN | 979-0-007-08964-1 |
サンプル | https://www.carusmedia.com/images-intern/medien/10/1038003/1038003x.pdf |
In accordance with the biblical beatitudes (Mat. 5:1–12), "Les Béatitudes" consists of eight sections, part scenic, part contemplative in nature preceded by a prologue. The musical elements employed in the earthly choral scenes are indebted, in part, to the idioms of the music of the French Revolution and to Grand Opera, while the heavenly choirs foreshadow the sounds of Impressionism. Franck applied himself more than once to the task of writing music inspired by the Sermon on the Mount, because he regarded it as the quintessence of his ethical and religious ideals. The immediate impulse for the composition of the oratorio came from the libretto by Joséph Colomb, who was an adherent of the "Heart of Jesus" movement, which was widespread in France in the latter part of the 19th century, The first performance occurred on the 20th February 1879 with a small ensemble under the circumstances of unfavorable conditions. The vocal score is a reprint of the Nouvelle Édition Ph. Maquet, Paris with a foreword by Herbert Lölkes.