![Sechs Stücke in kanonischer Form, op. 56 [playing scores]](http://gaudeamusic.com/cdn/shop/products/1851800u_{width}x.jpg?v=1615291151)
![Sechs Stücke in kanonischer Form, op. 56 [playing scores]](http://gaudeamusic.com/cdn/shop/products/1851800u_1024x.jpg?v=1615291151)
| 作曲者 | Robert Schumann (1810-1856)・ロベルト・シューマン |
| タイトル | Sechs Stücke in kanonischer Form, op. 56 [playing scores] |
| サブタイトル | arranged for two pianos by Claude Debussy |
| 出版社 | Carus・カールス |
| 楽器編成 | 2 Pianos, 4 hands |
| 楽器編成（詳細） | 2 Pianos,4 hands |
| 品番 | M007097417 |
| 校訂者 | Kristian Giver |
| 編曲者 | Claude Debussy |
| 形状 | 64 ページ・21 x 29.7 cm・223 g・ソフトカバー |
| 出版年 | 2012年 |
| 出版番号 | CV 18.518/00 |
| ISMN | 979-0-007-09741-7 |
| サンプル | https://www.carusmedia.com/images-intern/medien/10/1851800/1851800x.pdf |
With Robert Schumann’s Studies for Pedal Piano op. 56 an interesting, balanced and expressly melodious work has been handed down. However, it is a work for a type of piano which has never been able to establish itself in the musical mainstream. In Claude Debussy’s arrangement for two pianos he has created a stroke of genius in which the work is presented in a version using simple doubling or reduction of the parts and the use of two instruments which allows the canonic form to be rendered in stereophonic sound. As a result, the composition is enriched artistically and its concert performance is made accessible. Moreover, it offers the unique pedagogical possibility to explore phrasing and expressing through imitation – for example between teacher and pupil. Debussy’s version is presented here for the first time in a corrected, new edition with fingerings and an informative explanatory texts.