作曲者 | Heinrich Schütz (1585-1672)・ハインリヒ・シュッツ |
タイトル | Geistliche Chor-Music 1648 [score、ハードカバー] |
サブタイトル | Geistliche Chormusik 1648 より |
出版社 | Carus・カールス |
シリーズ名 | Stuttgarter Schütz-Ausgabe. Vol. 12 |
品番 | M007167561 |
校訂者 | Michael Heinemann |
形状 | 344 ページ・21 x 29.7 cm・1312 g・布装丁 |
出版年 | 2016年 |
出版番号 | CV 20.912/00 |
ISMN | 979-0-007-16756-1 |
ISBN | 9783899482546 |
サンプル | https://www.carusmedia.com/images-intern/medien/20/2091200/2091200x.pdf |
When it comes to paying tribute to Heinrich Schütz’s compositional achievement, in his art his treatment of the text and language must be mentioned first. The "Geistliche Chor-Music 1648", a collection of 29 motets for five to seven voices and one of his most important works, is characterized by he carefully thought-out musical realization of the meaning of the text. In his detailed foreword to the collection the composer presented these as models for composition without a basso continuo – it was his conviction that very young composer should obtain “the properfoundation for a good counterpoint.” Despite the strict counterpoint, stylistically speaking from an earlier era, the “Musicus poeticus” imbued his works with a strongly expressive character. The individual motets are structured differently and they differ - according to content - in their length and character. Short, rather straightforward pieces stand alongside long, worked-out pieces with greater expressive intensity, and cheerful, optimistic works are juxtaposed with plaintive ones. Separate editions available.