| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Ach, ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162（ヴォーカル・スコア） |
| サブタイトル | Cantata for the 20th Sunday after Trinity. Leipzig Version. Reconstruction Masaaki Suzuki |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli SATB,Coro SATB,Fl,Cor da tirarsi,2 Violins,Viola,Basso continuo |
| 品番 | M007171544 |
| 校訂者 | Frauke Heinze |
| 編曲者 | Masaaki Suzuki |
| 言語 | ドイツ語・英語 |
| 形状 | 24 ページ・19 x 27 cm・82 g・ソフトカバー |
| 演奏時間 | 18分 |
| 作曲年 | 1716年 |
| 出版年 | 2016年 |
| 出版番号 | CV 31.162/03 |
| ISMN | 979-0-007-17154-4 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3116203/3116203x.pdf |
The cantata for the 20th Sunday after Trinity. "Ah! I see now, as I to the wedding bidden", BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a “Corno da tirarsi”, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki.