| 作曲者 | Franz Liszt (1811-1886)・フランツ・リスト |
| タイトル | Fantasie and Fugue on the name of " B-A-C-H " |
| サブタイトル | nach der Orgel- und Klavierfassung Franz Liszts zusammengestellte synchretistische Fassung / Syncretic Version |
| 出版社 | Schott（ショット） |
| 楽器編成 | organ |
| 品番 | 979-0-001-13781-2 |
| 編曲者 | Jean Guillou |
| 難易度 | difficult |
| 形状 | 31 ページ・140 g・Saddle-wire stitching |
| 演奏時間 | 13' |
| 作曲年 | 1977 |
| 出版年 | 2005-07-25 00:00:00 +0900 |
| 出版番号 | ED 9805 |
| ISMN | 979-0-001-13781-2 |
In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work.