| 作曲者 | Antonio Lotti (1666-1740)・アントニオ・ロッティ |
| タイトル | Missa Sapientiae（ヴォーカル・スコア） |
| サブタイトル | Kyrie in G・Gloria in G |
| 出版社 | Carus・カールス |
| 楽器編成 | Soli, Coro SSATTB, Orchestra |
| 楽器編成（詳細） | Soli SSATTB, Coro SSATTB, Fl, 2 Ob, Tr, 2 Vl, 2 Va, Bc (Vc/Cb, Fg, Org) |
| 品番 | CV4066103 |
| 校訂者 | Wolfgang Horn |
| 編曲者 | Volkher Häusler |
| 言語 | ラテン語 |
| 形状 | 68 ページ・ソフトカバー |
| 演奏時間 | 32分 |
| 出版年 | 2024年 |
| 出版番号 | 40.661/03 |
| ISMN | 979-0-007-31189-6 |
| サンプル | https://www.carusmedia.com/images-intern/medien//40/4066103/4066103x.pdf |
Antonio Lotti was employed at St. Mark’s Basilica in Venice for almost his entire life. In 1717, however, he was lured for two years to Dresden by the Saxon court as a composer of operas. A score of his Kyrie in G minor and his Gloria in G major, combined under the title Missa Sapientia, was later found amongst the personal belongings of Dresden court composer Jan Dismas Zelenka.
Zelenka was not the only one person impressed by the Mass: at least two other illustrious composers had copies made, namely Johann Sebastian Bach and George Frideric Handel. Indeed, the Mass is a magnificent piece, following the concertante style of the time, with a brilliant yet warm string sound (2 violins and 2 violas).