| 作曲者 | Zsigmond Szathmáry (b. 1939) |
| タイトル | Dies irae 14 |
| サブタイトル | für Orgel und Schlagzeug / for Organ and Percussion |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | Organova 14 |
| 楽器編成 | organ and percussion |
| 品番 | 979-0-006-56893-2 |
| 校訂者 | Zsigmond Szathmáry |
| 形状 | 25 ページ・130 g・Saddle-wire stitching |
| 演奏時間 | 14' |
| 作曲年 | 2015 |
| 出版番号 | BA 11258 |
| ISMN | 979-0-006-56893-2 |
Zsigmond Szathmáry’s “Dies irae” for organ and percussion produces an immense impact on listeners with its advanced sonorities. Accordingly, it imposes very high demands on the performers. “Dies irae, dies illa, solvet saeclum in favilla” (Day of wrath, that day, will dissolve the world in ashes) comprises a 17-stanza medieval sequence dealing with Judgment Day that forms the emotional climax of the Latin Mass for the Dead. In his commentary on this work, the composer describes his childhood memories of the Second World War: “Fear, air-raid shelters, thin caraway soup and the howling of sirens”. The latter even find their way into the piece itself.