The Three Tenors Are Coming
On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.“Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

1. Konstanze! Dich wiederzusehen / O wie ängstlich (Ottavio – Don Giovanni) / Wolfgang Amadeus Mozart
2. Dalla sua pace (Ottavio – Don Giovanni) / Wolfgang Amadeus Mozart
3. Il mio tesoro intanto (Ottavio – Don Giovanni) / Wolfgang Amadeus Mozart
4. Un’aura amorosa (Ferrando – Così fan tutte) / Wolfgang Amadeus Mozart
5. Dies Bildnis ist bezaubernd schön (Tamino – Die Zauberflöte) / Wolfgang Amadeus Mozart
6. Was ich dann tu' (Gaston – Die drei Pintos) / Carl Maria von Weber
7. Languir per una bella (Lindoro – L'italiana in Algeri) / Gioachino Rossini
8. Ecco ridente in cielo (Conte – Il barbiere di Siviglia) / Gioachino Rossini
9. Una furtiva lagrima (Nemorino – L'elisir d’amore) / Gaetano Donizetti
10. Ah ! mes amis (Tonio – La fille du régiment) / Gaetano Donizetti
11. Povero Ernesto! / Cercherò lontana terra (Ernesto – Don Pasquale) / Gaetano Donizetti
12. Favorita del Re! / Spirto gentil (Fernando – La favorita) / Gaetano Donizetti
13. A te, o cara (Arturo – I puritani) / Vincenzo Bellini
14. Horch, die Lerche singt im Hain (Fenton – Die lustigen Weiber von Windsor) / Otto Nicolai
15. Ach! so fromm (Lyonel – Martha) / Friedrich von Flotow
16. Questa o quella (Duca – Rigoletto) / Giuseppe Verdi
17. La donna è mobile (Duca – Rigoletto) / Giuseppe Verdi
18. Lunge da lei / De’ miei bollenti spiriti (Alfredo – La traviata) / Giuseppe Verdi
19. Dal labbro il canto estasïato vola (Fenton – Falstaff) / Giuseppe Verdi
20. Quel trouble inconnu / Salut ! demeure chaste et pure (Faust – Faust) / Charles Gounod
21. Puisqu'on ne peut fléchir / Vainement, ma bien aimée (Mylio – Le Roi d'Ys) / Édouard Lalo
22. Prendre le dessin / Fantaisie aux divins mensonges (Gérald – Lakmé) / Léo Delibes
23. Je crois entendre encore (Nadir – Les pêcheurs de perles) / Georges Bizet
24. Kuda, kuda (Lenskij – Evgenij Onegin) / Pjotr Iljitsch Tschaikowsky
25. Instant charmant / En fermant les yeux (Des Grieux – Manon) / Jules Massenet
26. Cachés dans cet asil / Oh, ne t’éveille pas (Jocelyn – Jocelyn) / Benjamin Godard
27. Addio fiorito asil (Pinkerton – Madama Butterfly) / Giacomo Puccini