| 作曲者 | Heinrich Schütz (1585-1672)・ハインリヒ・シュッツ |
| タイトル | Sehet an den Feigenbaum und alle Bäume SWV 394 -Motet- (No. 26 from "Geistliche Chor-Music") |
| サブタイトル | Motet, No. 26 from Geistlich Chor-Musik |
| 出版社 | Bärenreiter |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Soprano, Tenor, Voic1, Voic2, Voic3, Voic4, 5, Voic, Bc adlib |
| 楽器編成（詳細） | Sg-S-solo,Sg-T-solo,Voic1,Voic2,Voic3,Voic4,5,Voic,Bc adlib |
| 品番 | 9790006568079 |
| 校訂者 | Werner Breig |
| 言語 | ドイツ語 |
| 形状 | 14 ページ・29.7 x 21.0 cm・53 g・stapled |
| 出版番号 | BA 25013 |
| ISMN | 979-0006568079 |
Separate edition from BA 5902, "Geistliche Chor-Music" SWV 369-380, The six and seven-part motets, nos. 13-29:
In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled "Geistliche Chor-Music" (Sacred Choir Music). Here, the term "Chor" (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.