| 作曲者 | Robert Schumann (1810-1856)・ロベルト・シューマン |
| タイトル | Werke für Pedalflügel und Orgel |
| サブタイトル | Edited by Arnfried Edler |
| 出版社 | Schott（ショット） |
| シリーズ名 | Robert Schumann - Neue Ausgabe sämtlicher Werke (New Edition of Complete Works), Serie III Klavier- und Orgelmusik: 3. Werkgruppe: Werke für Pedalflügel und Orgel. Band 1 |
| 品番 | 9790001147767 |
| 編曲者 | Arnfried Edler |
| 形状 | 280 ページ・Full-cloth binding |
| 出版年 | 2012年 |
| 出版番号 | RSA 1024 |
| ISMN | 9790001147767 |
| ISBN | 9783795793272 |
| その他 | complete edition |
The three soloistic compositions were much influenced by a fundamental new beginning in composing. His works were no longer to be characterized by intuitive composing based on sudden impulses. Now, counterpoint and fugue rather moved into the focus of Schumann's interest, with the latter being not least inspired by his close relationship with Mendelssohn who was an excellent interpreter of works by Bach. The fact that counterpoint was anything but a dead relic to Schumann can be gathered from his reviews: 'In any case, the best fugue always is the one that the public takes for a Strauss waltz, […].'
Studien für den Pedalflügel, op. 56 - Skizzen für den Pedal-Flügel, op. 58 - Sechs Fugen über den Namen Bach, op. 60 - Kritischer Bericht