作曲者 | Mark Grimshaw-Aagaard / Mads Walther-Hansen / Martin Knakkergaard |
タイトル | The Oxford Handbook of Sound and Imagination, vol. 2 |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780190460242 |
形状 | 664 ページ・24.8 x 17.1 cm・1338 g・ハードカバー |
出版番号 | 9780190460242 |
ISBN | 9780190460242 |
In this two-volume Handbook, contributors address the tendency to discuss musical imagination through terms like compositional creativity or performance technique, correcting the current bias towards visual imagination to instead highlight the many forms of sonic and musical imagination.
Contributor Affiliations, Acknowledgments, Introduction, MARK GRIMSHAW-AAGAARD, MADS WALTHER-HANSEN, MARTIN KNAKKERGAARD, PART I. MUSICAL PERFORMANCE, Chapter 1. Improvisation: An Ideal Display of Embodied Imagination, JUSTIN CHRISTENSEN, Chapter 2. Anticipated Sonic Actions and Sounds in Performance, CLEMENS WOLLNER, Chapter 3. Motor Imagery in Perception and Performance of Sound and Music, JAN SCHACHER, Chapter 4. Music and Emergence, JOHN M. CARVALHO, Chapter 5. Affordances in Real, Virtual, and Imaginary Musical Performance, MARC DUBY, PART II. SYSTEMS AND TECHNOLOGIES, Chapter 6. Systemic Abstractions: The Imaginary Regime, MARTIN KNAKKERGAARD, Chapter 7. From Rays to Ra: Music, Physics, and the Mind, JANNA K. SASLAW AND JAMES P. WALSH, Chapter 8. Music Analysis and Data Compression, DAVID MEREDITH, Chapter 9. Bioacoustics: Imaging and Imagining the Animal World, MICKEY VALLEE, Chapter 10. Musical Notation as the Externalization of Imagined, Complex Sound, HENRIK SINDING-LARSEN, Chapter 11. . . . they call us by our name . . .: Technology, Memory, and Metempsychosis, BENNETT HOGG, Chapter 12. Musical Shape Cognition, ROLF INGE GODOY, Chapter 13. Playing the Inner Ear: Performing the Imagination, SIMON EMMERSON, PART III. PSYCHOLOGY, Chapter 14. Music in Detention and Interrogation: The Musical Ecology of Fear, W. LUKE WINDSOR, Chapter 15. Augmented Unreality: Synesthetic Artworks and Audio-Visual Hallucinations, JONATHAN WEINEL, Chapter 16. Consumer Sound, SOREN BECH AND JON FRANCOMBE, Chapter 17. Creating a Brand Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding, HAUKE EGERMANN, Chapter 18. Sound and Emotion, ERKIN ASUTAY AND DANIEL VASTFJALL, Chapter 19. Voluntary Auditory Imagery and Music Pedagogy, ANDREA R. HALPERN AND KATIE OVERY, Chapter 20. A Different Way of Imagining Sound: Probing the Inner Auditory Worlds of Some Children on the Autism Spectrum, ADAM OCKELFORD, Chapter 21. Multi-Modal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM), LARS OLE BONDE, Chapter 22. Empirical Musical Imagery Beyond the 'Mind's Ear', FREYA BAILES, PART IV. AESTHETICS, Chapter 23. Imaginative Listening to Music, THEODORE GRACYK, Chapter 24. A Hopeful Tone: A Waltonian Reconstruction of Bloch's Musical Aesthetics, BRYAN PARKHURST, Chapter 25. Sound as Environmental Presence: Towards an Aesthetics of Sonic Atmospheres, ULRIK SCHMIDT, Chapter 26. The Aesthetics of Improvisation, ANDY HAMILTON, PART V. POSTHUMANISM, Chapter 27. Sonic Materialism: Hearing the Arche-Sonic, SALOME VOEGELIN, Chapter 28. Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies, DANIEL PLOEGER, Chapter 29. Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation, ANNE DANIELSEN, Chapter 30. On the Other Side of Time: Afrofuturism and the Sounds of the Future, ERIK STEINSKOG, Chapter 31. Posthumanist Voices in Literature and Opera, JASON R. D'AOUST, Index $ http://ukcatalogue.oup.com/images/en_US/covers/large/9780190460242_450.jpg $ $