作曲者 | Deborah Howard / Laura Moretti |
タイトル | The Music Room in Early Modern France and Italy |
サブタイトル | Sound, Space and Object |
出版社 | Oxford University Press/British Academy |
シリーズ名 | Proceedings of the British Academy |
品番 | 9780197265055 |
形状 | 300 ページ・23.4 x 15.6 cm・792 g・ハードカバー |
出版番号 | 9780197265055 |
ISBN | 9780197265055 |
This interdisciplinary book investigates spaces for music-making in Early Modern France and Italy. Spaces specifically designed for music began to appear in private dwellings. While elite music-making became more specialised through the employment of paid musicians, music printing allowed new compositions to be diffused down the social scale.
Deborah Howard: Introduction: Music-making in Residenctiontial Space, 1. The Visual Dimension, 1 Patricia Fortini Brown: Seduction and Spirituality: The Ambiguous Roles of Music in Venetian Art, 2 Flora Dennis: When is a Room a Music Room? Sounds, Spaces, and Objects in Non-courtly Italian Interiors, 3 Tracy E. Cooper: The Place of Music in the Artist's Home, 2. The Spatial Dimension, 4 Sophie Pickford: Music in the French Domestic Interior (1500-1600), 5 Deborah Howard: The Role of Music in the Venetian Home in the Cinquecento, 6 Rebecca Norris: Women on the Edge: The 'Saletta delle Dame' of the Palazzo Salvadego in Brescia, 3. The Aural Dimension, 7 Mimmo Peruffo: Balance on the Lute: The Role of the Strings, 8 Michael Lowe: The Lute: An Intrument for All Seasons, 9 Raf Orlowski: Assessing the Acoustic Performance of Small Music Rooms: A Short Introduction, 4. The Intellectual Dimension, 10 Giovanni Zanovello: 'With tempered notes, in the green hills and among rivers': Music, Learning, and the Symbolic Space of Recreation in the Manuscript Modena, Biblioteca Estense, Universitaria A.F.9.9, 11 Guido Beltramini: Spaces for Music in Sixteenth-Century Paduan Noble Courts, 12 Michael Markham: Caccini's Stages: Identity and Performance Space in the Late Cinquecento Courts, 5. Courtly Contexts, 13 Laura Moretti: Spaces for Musical Performance in the Este Court in Ferrara (c 1440-1540), 14 Iain Fenlon: Music Rooms in the Ducal Palace in Mantua: From Andrea Mantegna to Giovan Battista Bertani, 15 Tessa Murdoch: Queen Christina of Sweden as a Patron of Music in Rome in the Mid-Seventeenth Century, 6. The Development of Purpose-Built Spaces for Music, 16 Davide Bonsi: The Acoustic Analysis of Palladio's Teatro Olimpico, Vicenza, 17 Tarek Barreda: Music at Home: Spaces for Music in French Seventeenth-Century Residential Architecture, 18 Arnaldo Morelli: Spaces for Musical Performance in Seventeenth-Century Roman Residences