| 作曲者 | Wolfgang Amadeus Mozart (1756-1791)・ヴォルフガング・アマデウス・モーツァルト |
| タイトル | Konzert C-dur = Concerto in C major K. 299 (297c)（ピアノ・リダクション） |
| サブタイトル | Urtext |
| 出版社 | Breitkopf & Härtel・ブライトコプフ |
| 楽器編成 | Flute, Harp, Orchestra |
| 楽器編成（詳細） | solos: fl.hp – 0.2.0.0 – 2.0.0.0 – str |
| 品番 | 979-0201807683 |
| 校訂者 | András Adorján |
| 編曲者 | Jan Philip Schulze |
| 形状 | 106 ページ・23.5 x 30.8 cm・425 g・ソフトカバー |
| 演奏時間 | 27分 |
| 出版番号 | EB 10768 |
| ISMN | 979-0201807683 |
| その他 | (equal to HN 768) |
Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin