作曲者 | Robert Schumann (1810-1856)・ロベルト・シューマン |
タイトル | Hermann und Dorothea op. 136 |
サブタイトル | Overture to Goethe’s “Hermann und Dorothea” – Urtext |
出版社 | Breitkopf & Härtel・ブライトコプフ |
楽器編成 | Orchestra |
楽器編成(詳細) | picc.2.2.2.2 – 2.2.0.0 – small dr – str |
品番 | 979-g67e3a591 |
校訂者 | Christian Rudolf Riedel |
形状 | 40 ページ・16.5 x 22.5 cm・97 g・stapled |
演奏時間 | 10分 |
出版番号 | PB 5548 |
ISMN | 979-0004213582 |
サンプル | https://www.breitkopf.com/assets/haendler/samples/9790004213582.pdf |
The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoléons coup détat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.