| 作曲者 | Carl Maria von Weber (1786-1826)・カール・マリア・フォン・ウェーバー |
| タイトル | Bearbeitungen von Einlagen in Bühnenwerke und von schottischen Liedern |
| サブタイトル | Edited by Markus Bandur, Marjorie Rycroft, Frank Ziegler |
| 出版社 | Schott（ショット） |
| シリーズ名 | Carl Maria von Weber - Complete Works, Serie VIII: Bearbeitungen (mit Klavierauszügen). Band 12 |
| 品番 | 9790001156714 |
| 編曲者 | Markus Bandur, Marjorie Rycroft, Frank Ziegler |
| 言語 | ドイツ語・英語 |
| 形状 | 432 ページ・Full-cloth binding |
| 出版年 | 2013年 |
| 出版番号 | WGA 1092 |
| ISMN | 9790001156714 |
| ISBN | 9783795794514 |
| その他 | complete edition |
Weber was quite critical of the practice of arranging that had widely spread in the early 19th century. In his novel 'Tonkünstlers Leben' he mocked at far too overzealous contemporaries with fictitious works like 'The Creation - for 1 flute' or 'The finale of the 1st act from the opera Don Juan, with proper fingering, arranged for one voice'. However, even Weber modified works by other composers, be it to make concessions to singers or to comply with the wishes of a customer. As a result, this volume focuses on a fairly marginal section of Weber's oeuvre and takes an exemplary look at the multi-layered use of music sources in the first quarter of the 19th century.
Insertions in Anton Fischer's Verwandlungen (WeV U.12) - Insertions in Etienne Nicolas Méhul's Héléna (WeV U.13) - Scottish Airs / Schottische Nationalgesänge (WeV U.16)