| 作曲者 | Enjott Schneider |
| タイトル | Draculissimo |
| サブタイトル | Concerto grosso for trumpet, tenor trombone and chamber ensemble |
| 出版社 | Schott（ショット） |
| 楽器編成 | trumpet, trombone and chamber ensemble |
| 楽器編成（詳細） | Bassklar. · Fg. (auch Kfg.) - S. (Crot. · Vibr. · Marimba · Röhrengl. · Trgl. · 2 Beck. · Tamt. · kl. Tr. · 2 Tomt. · gr. Tr. · Chimes· Tempelbl. · Woodbl.) (2 Spieler) - Cemb. - Str. (6 Vl. · 4 Va. I · 4 Va. II · 3 Vc. I · 3 Vc. II · 3 Kb. [Die Streicher können auch solistisch besetzt werden.]) |
| 品番 | 9790001159555 |
| 難易度 | 上級 |
| 形状 | 88 ページ・340 g・中綴じ |
| 演奏時間 | 25分 |
| 作曲年 | 2010年 |
| 出版年 | 2016年 |
| 出版番号 | ED 22465 |
| ISMN | 9790001159555 |
The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant” is a raving Allegro with a Baroque ritornello structure and modern “Draculisms”. 2: “Luna su Tirgoviste” is a memoriam for the thousands of impaled victims who came to a violent end in today’s Târgoviste. 3: “Il ballo transilvano” confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations – in the manner of the stick and the carrot. 4: “Bacio di sangue” is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott Schneider
I Vlad Dracul: Oderint dum metuant - II Luna su Tirgoviste - III Il ballo transilvano - IV Bacio di sangue