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| 作曲者 | Erich Wolfgang Korngold (1897-1957)・エーリヒ・ヴォルフガング・コルンゴルト |
| タイトル | Die tote Stadt op. 12 [study score] |
| サブタイトル | Opera in three acts |
| 出版社 | Schott（ショット） |
| シリーズ名 | Eulenburg Taschenpartitur |
| 楽器編成（詳細） | 3 (2. u. 3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 · Basstrp. · 3 · 1 - P. S. (Glsp. · Xyl. · Trgl. · hg. Beck. · Tamt. · Tamb. · kl. Tr. · gr. Tr. m. Beck. · Ratsche · Rute) (1 Spieler) - Mand. · 2 Hfn. · Cel. · Klav. · Harm. - Str. - Bühnenmusik: 2 Es-Klar. - 2 Trp. - S. (7 tiefe Gl. · Trgl. · Beck. · kl. Tr. · gr. Tr. · Tamb. · Windmasch.) - Org. - Erhöht aufgestellt (über dem Orchesterraum): 2 Trp. · 2 Pos. (jeweils möglichst mehrfach besetzt) |
| 品番 | 9790001164429 |
| 言語 | ドイツ語 |
| 形状 | 696 ページ・ハードカバー |
| 演奏時間 | 145分 |
| 作曲年 | 1916-1919年 |
| 出版年 | 2018年 |
| 出版番号 | ETP 8113 |
| ISMN | 9790001164429 |
| ISBN | 9783795711764 |
This masterpiece, composed by Erich Wolfgang Korngold when he was only 23, was one of the great stage successes of the 1920s and 30s before being removed from theatre schedules by the National Socialists. Rediscovered in the 1970s, it has enjoyed continuing popularity ever since. The libretto was compiled by the composer’s father, the music critic Julius Korngold, writing under the pseudonym ‘Paul Schott’, a combination of the name of the protagonist and the publishing house.A vivacious theatre group comes to liven up the gloomy city of Bruges (here, a symbol of death) and the widower Paul is forced to decide between the past and the present. Korngold was fascinated by this symbolic plot and created an iridescent orchestral score washed in vivid colours. A variety of operatic devices are intermingled as if viewed through a kaleidoscope: opulent melodic arias, advanced harmonies, psychoanalytic profundity and cinematic transitions oscillating between reality and dream worlds guarantee the continuing modernity of this work up to the present day.