作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
タイトル | Matthäus-Passion, BWV 244 (1736 version)(布装丁) |
サブタイトル | Version of 1736 (final version) |
出版社 | Bärenreiter・ベーレンライター |
シリーズ名 | Johann Sebastian Bach. Neue Ausgabe sämtlicher Werke; New Bach Edition (NBA) Ser. 2. Vol. 5 |
楽器編成 | Solos, Mixed Choir, Orchestra |
楽器編成(詳細) | SSolo/ASolo/2TSolo/2BSolo/2Mixed choir-SATB/Orch1:2recorder-A/2Fl/2Ob/Ob-dam/Ob-dacc/EnglHn/bassoon/Vagb/Str/Org/Orch2: 2Fl/2Ob/Ob-dam/bassoon/Vagb/Str/Org/harpisc. |
品番 | 9790006462285 |
校訂者 | Alfred Dürr, Max Schneider |
難易度 | 中上級 |
言語 | ドイツ語 |
形状 | XIV, 309 ページ・33.0 x 26.0 cm・1681 g・布装丁 |
出版年 | 2016年第9刷 |
出版番号 | BA 5038-01 |
ISMN | 979-0006462285 |
Bach's St. Matthew Passion as we know it today evidently had a long history dating back before 1727. It is unclear whether the work performed at the Thomaskirche, Leipzig on Good Friday 1729 was based on a still earlier version. Whatever the case, the surviving version of 1729 presents the work in a form strikingly different from its later incarnation. For example, the opening section ends with the chorale ' Jesum lass ich nicht von mir ' which was replaced by the large-scale cantus firmus chorus 'O Mensch, bewein dein Sünde gross' for the 1736 performance.
The well-known alto aria 'Ach! Nun ist mein Jesus hin ' is still assigned to a bass in the earlier version, and the aria ' Komm süsses Kreuz ' calls for a lute instead of the later viola da gamba. Moreover, the pieces for double chorus only require a single continuo group. Other differences can be found in the instrumental scoring and voice leading. The early version of the St. Matthew Passion is thus a most interesting addition to the great concert repertoire.