| 作曲者 | Alma Mahler (1879-1964) |
| タイトル | Sämtliche Lieder |
| 出版社 | Universal Edition（ユニヴァーサル・エディション） |
| 楽器編成 | medium voice and piano |
| 品番 | 9790008013645 |
| 編曲者 | Herta Blaukopf |
| 出版番号 | UE18016 |
| ISMN | 9790008013645 |
| ISBN | 9783702430306 |
Anybody familiar with the idiom of Mahler's Lieder will possibly be struck by the unmahlerian language of Alma's Lieder. The choice of text, the melodic line and the piano writing are evidence that Alma's mentality and her musical background were leading her in a different direction. Robert Schollum stresses the influence of Zemlinsky, who passed on the influences of Wagner (harmonically) and Brahms (formally). A comparison of Zemlinsky's own Lieder with those of his pupil reveals a common sound world, committed to tonality but iridescent in its harmony. The struggle to reach beyond tonality is evident… (Herta Blaukopf)
: Die stille Stadt (Rich. Dehmel) · : In meines Vaters Garten (Hartleben) · : Laue Sommernacht (Falke) · : Bei dir ist es traut (Rilke) · : Ich wandle unter Blumen (Heine) · : Licht in der Nacht (Bierbaum) · : Waldseligkeit (Dehmel) · : Ansturm (Dehmel) · : Erntelied (Gustav Falke) · : Hymne (Novalis) · : Ekstase (Otto Julius Bierbaum) · : Der Erkennende (Franz Werfel) · : Lobgesang (Dehmel) · : Hymne an die Nacht (Novalis)