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| 作曲者 | Arnold Schoenberg (1874-1951)・アーノルト・シェーンベルク |
| タイトル | Pierrot lunaire op. 21 [study score] |
| サブタイトル | Dreimal sieben Gedichte |
| 出版社 | Universal Edition（ユニヴァーサル・エディション） |
| シリーズ名 | Neue Studienpartituren-Reihe |
| 楽器編成 | speaker and 5 instrumentalists |
| 品番 | 9790008083174 |
| 形状 | 310 g |
| 出版番号 | UE34806 |
| ISMN | 9790008083174 |
| ISBN | 9783702469825 |
| その他 | Based on the text of the Critical Edition. |
Pierrot lunaire marks the high point of Schoenberg's expressionistic period, the essence of which he described as renouncing tonal centers and systematic relationships, replacing them with the twelve-tone method he was later to develop, with its dodecaphonic principles. Dethroning tonality and 'emancipating the dissonance' led to a radical change in his understanding of form and the intensity of musical expression beginning in 1907/1908: 'And I am unconditionally approaching a new kind of expression - I can sense it. The sounds now are virtually becoming a bestially direct expression of sensual and intellectual feelings - almost as if everything had been directly propagated.' (Diary entry, March 1912.)
Mondestrunken · Columbine · Der Dandy · Eine blasse Wäscherin · Valse de Chopin · Madonna · Der kranke Mond · Nacht · Gebet an Pierrot · Raub · Rote Messe · Galgenlied · Enthauptung · Die Kreuze · Heimweh · Gemeinheit · Parodie · Der Mondfleck · Serenade · Heimfahrt (Barcarole) · O alter Duft