| 作曲者 | Wolfgang Amadeus Mozart (1756-1791)・ヴォルフガング・アマデウス・モーツァルト |
| タイトル | Missa in C, KV 257（ヴォーカル・スコア） |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Mozart Edition |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Ob,2 Ctr,3 Trb,Timp,2 Violins,Basso continuo |
| 品番 | M007086473 |
| 編曲者 | Mathias Siedel |
| 言語 | ラテン語 |
| 形状 | 56 ページ・19 x 27 cm・162 g・ソフトカバー |
| 演奏時間 | 27分 |
| 作曲年 | 1775-1777年 |
| 出版年 | 2000年 |
| 出版番号 | CV 40.616/03 |
| ISMN | 979-0-007-08647-3 |
| サンプル | https://www.carusmedia.com/images-intern/medien/40/4061603/4061603x.pdf |
Here, as also in his earlier "Litte Credo Mass" KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the "Credo". This presupposes that the setting of the words of the intonation "Credo in unum Deum" as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word "Credo" to be repeated before the individual articles of belief, thus strengthening the declaration of faith.