作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
タイトル | Matthäus-Passion = St. Matthew Passion, BWV 244(ヴォーカル・スコア、ドイツ語) |
出版社 | Carus・カールス |
シリーズ名 | Stuttgart Bach Edition |
楽器編成(詳細) | Soli,Coro SATB/SATB,Soprano in ripieno (Cantus-firmus-Chor für Sopran),2 Orchester: I: 2 Recorders,2 Fl,2 Ob/2 Obda,2 Obca,2 Violins,Viola,Cello/Contrabass,Viola da gamba,Organ obl.,II: 2 Fl,2 Ob /2 Obda,2 Violins,Viola,Vg,Cello/Contrabass,Organ obl |
品番 | M007132439 |
校訂者 | Klaus Hofmann |
難易度 | 中上級 |
言語 | ドイツ語・英語 |
形状 | 200 ページ・19 x 27 cm・499 g・ソフトカバー |
演奏時間 | 164分 |
出版年 | 2012年 |
出版番号 | CV 31.244/03 |
ISMN | 979-0-007-13243-9 |
サンプル | https://www.carusmedia.com/images-intern/medien/30/3124403/3124403x.pdf |
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research.