![Messe in B [score]](http://gaudeamusic.com/cdn/shop/products/4066400u_{width}x.jpg?v=1615285686)
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| 作曲者 | Johann Nepomuk Hummel (1778-1837)・ジョン・ネポムク・フンメル |
| タイトル | Messe in B [score] |
| 出版社 | Carus |
| シリーズ名 | Stuttgart Editions (Urtext) |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Version 1: Coro SATB,2 Ob,2 Fg,2 Tr,Timp,2 Violins,Viola,Basso continuo,Version 2: Coro SATB,2 Violins,Viola,Organ obl.,Basso continuo |
| 品番 | M007135539 |
| 校訂者 | Mario Aschauer |
| 言語 | ラテン語 |
| 形状 | 140 ページ・21 x 29.7 cm・493 g・ソフトカバー |
| 演奏時間 | 35分 |
| 出版年 | 2012年 |
| 出版番号 | CV 40.664/00 |
| ISMN | 979-0-007-13553-9 |
| サンプル | https://www.carusmedia.com/images-intern/medien/40/4066400/4066400x.pdf |
The House of Esterházy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn’s last, six great masses, Beethoven’s Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel’s first Esterházy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material.