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| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Gott soll allein mein Herze haben, BWV 169 [ヴォーカル・スコア] |
| サブタイトル | Cantata for the 18th Sunday after Trinity |
| 出版社 | Carus |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Solo A,Coro SATB,2 Obda,Tl (Eh),2 Violins,Viola,Organ obl,Basso continuo |
| 品番 | M007170745 |
| 校訂者 | Ulrich Bartels |
| 言語 | ドイツ語・英語 |
| 形状 | 32 ページ・19 x 27 cm・100 g・ソフトカバー |
| 演奏時間 | 17分 |
| 作曲年 | 1726年 |
| 出版年 | 2016年 |
| 出版番号 | CV 31.169/03 |
| ISMN | 979-0-007-17074-5 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3116903/3116903x.pdf |
Bach's cantata "My God alone this heart possesses" BWV 169 is from his third annual cantata cycle in Leipzig, it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment.