| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Messe in h-Moll = Mass in B minor, BWV 232 （ヴォーカル・スコア、拡大文字版） |
| 出版社 | Carus |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成 | 混声合唱、ソリスト、オーケストラ |
| 楽器編成（詳細） | Soli SSATB,Coro SSAATTBB,2 Fl,3 Ob/2 Obda,2 Fg,Cor,3 Tr,Timp,2 Violins,Viola,Basso continuo |
| 品番 | M007187866 |
| 校訂者 | Ulrich Leisinger |
| 難易度 | 上中級 |
| 言語 | ラテン語 |
| 形状 | 184 ページ・21 x 29.7 cm・570 g |
| 演奏時間 | 101分 |
| 出版年 | 2018年 |
| 出版番号 | CV 31.232/04 |
| ISMN | 979-0-007-18786-6 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3123204/3123204x.pdf |
Bach's B minor Mass is among the greatest and most ambitious works of all time. The various stages of composition of the Mass occupied the composer for over two decades: beginning with the Sanctus (1724), by way of the "Missa" of 1733, to the remaining movements of the Ordinary, which were composed during his last years. Thus the Mass, in its wealth of forms with arias, duets, as well as concertante and fugal choruses, displays the essence of Bach’s skill and personal style. The "greatest musical work of art of all times and all peoples" (to quote the enthusiastic Hans Georg Nägeli, who first edited the Mass in 1818) and one of the most demanding choral works in the repertoire is presented by Frieder Bernius, the Kammerchor Stuttgart and the Barockorchester Stuttgart in a stellar recording based on the principles of historical performance practice (Carus 83.211). Awarded the Gramophone - Editor's Choice