![Missa in g aus der Notenbibliothek J. S. Bachs [score]](http://gaudeamusic.com/cdn/shop/products/3500900u_{width}x.jpg?v=1615287878)
![Missa in g aus der Notenbibliothek J. S. Bachs [score]](http://gaudeamusic.com/cdn/shop/products/3500900u_1024x.jpg?v=1615287878)
| 作曲者 | Johann Hugo von Wilderer (1670/1671-1724) |
| タイトル | Missa in g aus der Notenbibliothek J. S. Bachs [score] |
| 出版社 | Carus |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Coro SATB,2 Violins,2 Violas,Basso continuo |
| 品番 | M007245481 |
| 校訂者 | Frieder Rempp |
| 編曲者 | Paul Horn, Paul Horn |
| 言語 | ラテン語 |
| 形状 | 32 ページ・21 x 29.7 cm・124 g・ソフトカバー |
| 演奏時間 | 12分 |
| 出版年 | 2019年 |
| 出版番号 | CV 35.009/00 |
| ISMN | 979-0-007-24548-1 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3500900/3500900x.pdf |
This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer, his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.