Universal Edition

Fantasiestücke für Klarinette und Klavier = Fantasy Pieces for Clarinet and Piano, op. 73
Edited by Michael Kube, based on the sources

Fantasiestücke für Violoncello und Klavier = Fantasy Pieces for Violoncello and Piano, op. 73
Based on the sources

Faschingsschwank aus Wien = Carnival Jest from Vienna op. 26
Edited from the source by Michael Beiche. Fingerings and notes on interpretation by Tobias Koch

Französische Ouverture = French Overture, BWV 831/831a
Versions in C Minor BWV 831a and B Minor BWV 831

Französische Suite = French Suite Nr. 5 G-Dur BWV 816
Edited from autograph and manuscript copies

Französische Suiten = French Suites, BWV 812-817

From Bach to Schoenberg
200 Years of Piano Music – A Pianist’s Anthology of Performance Repertoire

Gaspard de la nuit
3 poèmes pour piano d'après Aloysius Bertrand

Goldberg-Variationen = Goldberg Variations (Klavierübung IV) BWV 988
After the 'Neue Bach-Ausgabe'

Golliwogg's Cake Walk
from Children's Corner. Edited from the autograph and first edition

Gott erhalte = variations for Piano
Varations on the Imperial Anthem. Authentic Keyboard Version after Hob. III/77 II. Edited from the autograph and the first edition

Händel-Variationen = Handel Variations, op. 24
Edited from the sources by Johannes Behr

Haydn - Mozart - Cimarosa（スペイン語・フランス語）
Pièces faciles pour piano = Piezas fáciles para piano

Haydn - Mozart - Cimarosa（英語・ドイツ語）
24 easy Piano Pieces with Practising Tips - Edition with German and English Commentary

Il Maestro e lo Scolare Hob.XVIIa:1
Piano Duet

Impromptu op. posth. 142 D 935
No. 2 A flat Major. Edited from the autograph and first edition

Impromptus
Edited from the autographs, manuscript copies and original editions

Impromptus op. 90 D 899
Edited from the sources by Ulrich Leisinger, Notes on Interpretation by Robert D. Levin, Fingerings by Paul Badura-Skoda

Impromptus op. posth. 142 D 935
Edited from the autograph and first edition

Impromptus und Moments Musicaux
Edited from the sources by Ulrich Leisinger, Notes on interpretation by Robert D. Levin, Fingerings by Paul Badura-Skoda