| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Ihr, die ihr euch von Christo nennet, BWV 164（合唱楽譜） |
| サブタイトル | Cantata for the 13th Sunday after Trinity |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Fl,2 Ob,2 Violins,Viola,Basso continuo |
| 品番 | M007187194 |
| 校訂者 | Frieder Rempp |
| 編曲者 | Paul Horn, Paul Horn |
| 言語 | ドイツ語・英語 |
| 形状 | 2 ページ・21 x 29.7 cm・6 g・表紙カバー無し |
| 演奏時間 | 17分 |
| 作曲年 | 1725年 |
| 出版年 | 2017年 |
| 出版番号 | CV 31.164/05 |
| ISMN | 979-0-007-18719-4 |
This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach’s Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck’s printed collection (BWV 132, 152, 161–163, 165): movements 1–5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love], the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form.