| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Falsche Welt, dir trau ich nicht, BWV 52（合唱楽譜） |
| サブタイトル | Cantata for the 23rd Sunday after Trinity |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Solo S,Coro SATB,3 Ob,Fg,2 Cor,2 Violins,Viola,Basso continuo |
| 品番 | M007187385 |
| 校訂者 | Ulrich Leisinger |
| 言語 | ドイツ語・英語 |
| 形状 | 2 ページ・21 x 29.7 cm・6 g・表紙カバー無し |
| 演奏時間 | 18分 |
| 作曲年 | 1726年 |
| 出版年 | 2017年 |
| 出版番号 | CV 31.052/05 |
| ISMN | 979-0-007-18738-5 |
It only became apparent a few years ago that the text of the soprano cantata "Falsche Welt, dir trau ich nicht" came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement – here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale “In dich hab ich gehoffet”, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration.